The Women's Winter Music Festival!
Friday, January 18th, 2013 / Doors open at 6pm
Mateel Community Center
Advanced $22 (& at the door) / $2 off for MCC members
The Mateel Community Center in Redway presents the first ever Women’s Winter Music Festival on Friday, January 18th with special guests, whose latest CD the Boston Globe praises as having, “tick-tight arrangements, crystalline vocals and caramel harmonies.” Their gorgeous a capella, bluegrass-tinged folk with a touch of western swing, trademark three-part harmonies and signature dobro licks have earned them a place among the elite female trios. They made the jump from NYC coffeehouses to the festival circuit less than two years ago and landed on their feet, winning notices for their performances at Merlefest, the Philadephia Folk Festival, and NPR's Mountain Stage. Red Molly has produced four albums including Never Been to Vegas in 2006; 2008's Love and Other Tragedies ,which spent ten weeks in the Top 15 on the Americana Chart, and 2010's James which logged four months in the Top 40 on the Americana Chart, peaking at #4, and landing at #23 in the year's Top 100 and their latest Light in the Sky.
Also performing will be Humboldt County favorite, Joanne Rand Trio, folksingers Anne & Pete Sibley and Lindsay Battle. more info about them all below.
Eclectic music lovers won’t want to miss the first ever Women’s Winter Music Festival at the Mateel Community Center on Friday, January 18th starting a 6 pm with music by Lindsay Battle at 6:30.Dinner, beer and wine will be available. The kitchen will benefit a local non-profit TBA. Admission at door only Stay tuned for more information!
Red Molly (Headlining)
"Make room, Roches and Wailin' Jennys, Red Molly has earned a place among the elite female trios." -John Platt, WFUV
If one word describes the new Red Molly CD, Light in the Sky, that word is joyous. Once again, with the "tick-tight arrangements, crystalline vocals and caramel harmonies" that the Boston Globe praised, Red Molly creates an album with gorgeous a cappella ballads, bluegrass-tinged folk and a touch of jazzy western swing, all done up in Red Molly's trademark three-part harmonies, signature dobro licks and inventive arrangements. The title sets the theme for the 14 tracks: optimism, joy, and excitement for the future.
Red Molly knows about optimism and joy. The band's fans, referred to as "RedHeads", have always responded to the sense that the band is a group of friends, sharing songs in their living room. That's exactly how it felt in 2004 when Laurie MacAllister (guitar, banjo, bass), Abbie Gardner (dobro, guitar) and Carolann Solebello (guitar, bass) sat around a campfire at the Falcon Ridge Folk Festival, singing and talking about their favorite songwriters. Knowing they had stumbled into something extraordinary, they formed Red Molly and spent the next seven years on the road.
From the start, the trio got attention with their lively, engaging stage performances. They moved quickly from NYC coffeehouses to the festival circuit in less than two years, winning notices for their performances at Merlefest, the Philadephia Folk Festival, and NPR's Mountain Stage. Between knocking out audiences from coast to coast, the trio found time to record three albums: Never Been to Vegas in 2006; 2008's Love and Other Tragedies, which spent ten weeks in the Top 15 on the Americana Chart, and 2010's James which logged four months in the Top 40 on the Americana Chart, peaking at #4, and landing at #23 in the year's Top 100. Last year, when founding member Carolann Solebello stepped down, MacAllister and Gardner asked Austin-based singer songwriter and guitarist Molly Venter to join the band. "Molly has a unique, edgy tone to her voice," MacAllister says. "Her sound is a bit pop-oriented, and while it hasn't changed our overall sound, I'd say it's a bit more gutsy, upbeat and modern."
Light in the Sky is Red Molly's first release with the newest Molly. The trio, with engineer Mark Dann at the helm, collectively produced the album. Red Molly's instrumental prowess, sparkling harmonies and strong lead vocals of the individual members are evident throughout. The band also showcases their songwriting expertise with three solid original tunes and an inventive re-imagining of Robert Johnson's "Come On in My Kitchen". Gardner's co-write with Jonathan Byrd, "Oh My Michael", sounds like a traditional Irish ballad. Her dobro adds to the song's haunted sound, while her poignant lead vocal is remarkable for its subdued emotion. Abbie and her father Herb Gardner wrote "Hello Goodbye", a fun, funky tune with a hint of ragtime. The group's harmonies suggest the 40's swing of The Andrews Sisters. Venter's "Hold It All" is a grown-up lullaby, both graceful and insightful. Gardner tweaks Johnson's "Come On in My Kitchen" by adding a bridge that ups the song's emotional ante and by rewriting the lyric to make it a story of women supporting each other. www.redmolly.com/
Joanne Rand Trio
Touring nationally for a quarter of a century, Joanne Rand "continues to push the art pedal to the floor," releasing her 13th CD, "The Nashville Sessions," a live solo mix of songs recorded during her 2012 guitar apprenticeship in the U.S. music capital . Rand has appeared with the likes of Bonnie Raitt, Bob Weir, John Hartford, and recently earned a BFA in Music Composition. Rand’s 2010 CD release was submitted for Grammy nomination by San Francisco Recording Academy’s President. You can't keep this woman down, her last four CDs were released in the past four consecutive years and in 2012 she toured from border to border. "Whatever muse inspires [Rand] only seems to grow stronger with time" - Eugene Weekly.
Writing and playing music since childhood in the Deep South, Rand cut her performance teeth playing bluegrass in Alaska and spun musical magic with natives in the Amazon. She spent six formative years touring from her remote homestead in the Pacific Northwest wilderness, fully launching her career in California’s North Bay Area, where she remains revered as one of the region’s finest independent artists. A North Bay Bohemian readers’ poll voted her “Best Acoustic Band,” and calls Rand a “legendary…longtime local hero.” In the 1990s Rand helped anchor Seattle's thriving music scene, collaborating with her songwriter brother, during his last years of life. Residing now in Arcata, CA, with her husband and daughter, Rand teaches music, does film scoring, and continues to tour. www.joannerandmusic.com
Anne & Pete Sibley
Originally from New England, the Sibleys have been at home in the Rocky Mountain
West since 1999. Singing for as long as they can remember, Anne & Pete have come
many miles from their classical music training to "the people's music:" folk, bluegrass
and traditional music. Using the guitar and clawhammer banjo to accompany their tight
harmonies, the Sibleys tell stories about life and love as they see it, and it is this quality
that rings true with audiences from coast to coast.
Anne & Pete's music highlights their connection with the landscape, community, family,
and even the food they grow and eat.Less than a decade since they released their first
album, the Sibleys' music hit the national spotlight in 2009 with a blue ribbon finish in
the "Great American Duet Sing Off" on National Public Radio's A Prairie Home
Companion. Last summer, the couple released their fourth and most critically-acclaimed
CD, Coming Home. Prior releases are Will You Walk With Me (2005), Winter on the
Great Divide (2007) and Think of This River (2004).
Lyndsey Battle is a singer/songwriter from the Gulf Coast bringing a folk-style perspective on the music of the Mississippi River Delta to her audience on both East and West Coasts. Lyndsey’s fresh sound and original lyrics carry a message that appeals to listeners of all ages. After releasing her first album, The Prototype, in 2004; Battle’s devotion to her art earned her The Independent News’ award for Best Vocalist in 2006. Carrying this momentum into the following year, Battle managed to produce her second album, Kill Bass, while touring heavily with her band throughout the Southeast. These days, one might find Lyndsey Battle strumming on her guitar at a festival or Farmer’s Market in Humboldt County while steadily at work on her upcoming third album.